Projects-Travel Archive - ProCamera + HDR - Turn your iPhone into a powerful digital camera https://procamera-app.com/en/blog/category/projects-travel/ ProCamera + HDR is an iOS photo, video, selfie and editing app bursting with state-of-the-art technology! Mon, 15 Dec 2025 16:07:40 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.4 https://www.procamera-app.com/wp-content/uploads/2025/12/cropped-ProCamera_website_logo-icon_512x512-32x32.png Projects-Travel Archive - ProCamera + HDR - Turn your iPhone into a powerful digital camera https://procamera-app.com/en/blog/category/projects-travel/ 32 32 HDR Workflow: A Step-By-Step Guide https://procamera-app.com/en/blog/create-stunning-hdr-videos-with-procamera-a-step-by-step-guide/ Tue, 20 May 2025 16:26:43 +0000 https://www.procamera-app.com/?p=63160 A creator’s step-by-step guide to publishing professional HDR Videos by combining ProCamera with Adobe Premiere Pro and Lightroom

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Finally—An HDR Workflow That Works

A Guide for Filmmakers, Content Creators, and Video Pros using ProCamera for iPhone, Lightroom, and Premiere Pro

HDR (High Dynamic Range) photography and video can be incredibly rewarding, but also challenging to work with at times. While the payoff is huge, getting consistent results when working with HDR takes a dependable workflow. The good news? There is one, and we’re going to share it with you here! We’ll break down a reliable process for importing, editing, and exporting HDR photos and videos using ProCamera, Lightroom, and Premiere Pro. We’ve gone through the trial and error phase so you don’t have to. The concepts outlined below also apply if you’re using DaVinci Resolve, Final Cut Pro, or other video editing software.

HDR is still relatively new territory, and not everyone has an HDR-capable screen—so it’s understandable that this topic can feel a bit nebulous. As support for HDR continues to grow across devices and platforms, the workflow will likely become more streamlined in the near future.

Capturing HDR Video with ProCamera

Make sure HDR Video is enabled in ProCamera before you start filming. It’s usually on by default, but it’s worth double-checking so you know exactly where the setting is when you need it. iPhone 12 and up can record in HDR.

  • Install ProCamera: Download from the App Store
  • Open ProCamera
  • Tap Control Panel (9 dot icon) > Settings > Video Quality > Advanced Settings
  • Make sure HDR Video (10 bit) is enabled
  • Adjust additional settings if needed: Compression, ProRes Codec, or Log Profile
Make sure HDR is enabled in ProCamera

Importing HDR Video in Premiere Pro

To show off your beautiful HDR content, it’s important to get your settings right during the import, editing, and export process. One of the most common problems at this stage is that the footage may not even show up as HDR at all—either due to incorrect import settings, missing metadata, or an export format that strips away the HDR information. Whether you’re working with photos or videos, a few small missteps can lead to a big headache. But don’t worry—we’ll walk through the key steps to make sure your edits preserve the full HDR impact.

  • Open Premiere Pro and create a new project
  • Import your HDR footage
  • Right-click to inspect your footage and ensure it is HDR (See Screenshot)
  • Color Space should be Rec. 2100 HLG. If it’s Rec. 709, it is not HDR footage
  • Create a new sequence (Drag and drop your footage into the Timeline)
  • Ensure the working color space is set to Rec. 2100 HLG to align with the HDR format

Note: Premiere Pro does not display HDR correctly in the preview window during editing—colors may appear washed out or grey. The true HDR effect will only be visible after export.

Tip: To improve color accuracy while editing, temporarily switch the working color space to Rec. 709. Before exporting, be sure to switch it back to Rec. 2100 HLG to retain HDR in the final output.

Make sure your footage contains HDR information after importing

Exporting HDR Video in Premiere Pro

Make sure your export settings preserve the HDR information. Here’s what worked for us:

  • Format: QuickTime
  • Video Codec: Apple ProRes 422 HQ
  • HDR Graphics White (Nits): 300
  • Depth: 16-bpc

Now you’re ready to export your HDR video. Note: File sizes will be extremely large when exporting ProRes 422 HQ. To reduce the large file size while still preserving the HDR information, follow these steps:

  • Open the file in QuickTime
  • Select File > Export As > 4K
  • Choose Smaller File Size (HEVC) in the dropdown menu
Best Export Settings in Premiere Pro for HDR

Save HDR Photos as HDR Video Clips directly in ProCamera

Making sure your photos display in full HDR like your video footage poses another challenge. Have you tried importing your HDR photos into Premiere, only to see them stripped of the HDR information and look flat compared to your beautiful HDR video footage? To ensure that your HDR photos are recognized as such inside Premiere Pro, you can save your photos as HDR Video Clips directly inside ProCamera to ensure that the HDR information is preserved when importing into Premiere Pro. This is especially useful if you don’t want to make major edits to your photo and need a quick solution. To do this simply:

  • Open your photo in the Editing Studio inside ProCamera
  • Long press the Save button on the top right
  • Select “Save New Image as …”
  • Select HDR VIDEO CLIP

Now you can import this newly saved video clip into your HDR video project inside Premiere Pro for full compatibility. For more information about this, check out this video.

Saving a Photo as an HDR Video Clip in ProCamera

Editing and Exporting HDR Photos in Lightroom

To edit your photos with desktop class editing software, for instance in Lightroom, you’ll need to make sure you properly edit and export them so that your HDR information is preserved.

  • Import your HDR images to Lightroom
  • Activate “HDR” mode (see screenshot)
  • Adjust exposure, contrast, and color settings
  • Export in formats that support HDR: AVIF, JPEG XL, TIF (we used TIF)
Make sure the HDR option is selected before editing in Lightroom

Practical Tips for HDR Video Production

By following these steps and using the advanced features of iPhone 16, ProCamera, Adobe Premiere Pro, and Lightroom, you can create stunning HDR videos that stand out and captivate your audience. HDR is the future of visual content—support is growing and it makes your work stand out with unmatched clarity and dynamic range. Give it a try! Here are a few extra tips to keep in mind:

  • Consistent Lighting: Ensure scenes are well-lit to fully benefit from HDR’s dynamic range
  • Monitor Calibration: Use an HDR-capable monitor during editing
  • Storage Considerations: Use high-capacity storage and backups
  • Stay Updated: Keep apps and firmware updated
  • Check HDR support on the platform you want to upload to

See our Latest Video Production in Full HDR!

If you’ve followed all the steps as outlined above, your video is ready to share with the world in its full HDR glory! Social Media platforms like YouTube will now recognize your video as HDR once uploaded. Keep in mind it might take a day or two for the video to finish processing and appear in HDR. So be patient! Be sure to check out our latest ProCamera video filmed entirely in HDR (with HDR photos too!) on the beautiful island of Crete.

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iPhone Architecture Photography in Miami Beach https://procamera-app.com/en/blog/iphone-architecture-photography-in-miami-beach/ https://procamera-app.com/en/blog/iphone-architecture-photography-in-miami-beach/#comments Wed, 17 Aug 2022 10:18:58 +0000 https://www.procamera-app.com/?p=60465 Explore the colorful Art Deco architecture in Miami Beach. The tropical travel photos were shot using ProCamera's Auto Perspective Correct feature.

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The Colorful Art Déco District of Miami Beach Shot on iPhone

Photographer Nicolai Boenig explores the pretty pastels and iconic architecture of the ever-popular Florida vacation destination

Art Deco Facades of Miami Beach photographed by Nicolai Boenig

While Miami may still have a reputation as the seaside resort for retired people and excessive party location for spring breakers and celebrities, intensive efforts are made to transform the metro area into a multifaceted cultural hub. The historic Art Déco architecture around South Beach is one of the elements that make this region so unique and definitely worth a visit.

Iconic Miami Beach Hotel on Ocean Drive - photographed by Nicolai Boenig

Q: Nicolai, how did you develop this set of images and what kind of photo equipment did you use?

» This photo series was not an assignment – as a matter of fact, it wasn’t even planned. On a brief stay at the coastal city, I headed to the beach and simply got lost in the playful facades and lovely color palette.
The equipment? An iPhone 11 loaded with ProCamera, flip-flops and a beach towel 😀

Q: Do you have a personal favorite from this series?

» Hmm, maybe the following image because of the serendipity. The light tones in the whole scene match beautifully, and it looks like the woman on the giant poster is checking out the car.

From a compositional standpoint, it’s interesting that the buildings consist of all these straight lines whereas the car is all curves – and the big arrow on the street is a nice visual lead-in.

Art Deco buildings in Miami Beach photographed by Nicolai Boenig
Bug meets Bunny: finding candid, un-staged scenes like this is very rewarding as a (street) photographer

Q: How did ProCamera help you in capturing these architectural travel impressions?

» By using ProCamera’s Auto Perspective Correct (APC) feature, I was able to emphasize the geometrical character of the ornate facade designs. Let me show you a side-by-side comparison to illustrate the difference perspective correction makes:

Comparison Photo: converging lines vs. straightened image
Snapshot with converging lines vs. corrected image (same iPhone lens, same spot, same camera angle)

Perspective Correction

Every time you angle your camera and photograph a subject from below, you will get converging lines. Especially in architecture photography, you will probably want to avoid such leaning-in lines as buildings otherwise seem to fall over. This is where ProCamera’s Auto Perspective Correct comes in very handy. The feature automatically corrects perspective distortion in real time by using the iPhone’s built-in gyroscope.

The 80s pastel color palette on Ocean Drive Miami Beach photographed by Nicolai Boenig

The innovative Auto Perspective Correct is part of the “ProCamera Up” feature bundle. You can find more information about this optional add-on via ProCamera app > Shop > ProCamera Up.

In the in-app shop, you can easily start a free 14-day trial to see how these special features work for you. In case you are interested in temporary access for a specific vacation or photo project, there also is a very affordable 1-month plan. Recently, we also started offering ProCamera Up as a one-time purchase.

Miami Architecture photography shot with ProCamera
If you have the chance stay until the sun has set to see the pastel colors turn into vivid neons at night

Thank you for this tropical photo series, Nicolai. It definitely fueled our desire to travel!

>> If you want to see more of his photography, check out @nicolaiboenig on Instagram.

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Traveling the World as Digital Nomads https://procamera-app.com/en/blog/traveling-the-world-as-digital-nomads/ Wed, 29 Sep 2021 15:26:54 +0000 https://www.procamera-app.com/?p=58576 We asked Lindy and Roy who are part of our ProCamera support staff to tell us more about their life as digital nomads. Let’s hear how to bridge the gap between mobile photography and a mobile workplace.

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Packing Light and Working On the Road

Times change, and sometimes that’s actually a good thing

Working on the road with ProCamera

For this travel-themed guest post we didn’t need to look far. We asked Lindy and Roy – who are part of our ProCamera support staff – to tell us more about their lives as digital nomads. Internally, we like to call the Dutch couple our “mobile support unit” since they are working from somewhere on the road most of the time. Let’s hear how to bridge the gap between mobile photography and a mobile workplace. 

Let me take you back in time: Eight years ago, we decided to travel to Peru. We went on a 4-day hike to Machu Picchu, only able to bring one daypack each.

One of our packs was filled to the brim with camera gear: camera bodies, lenses, flashes and batteries were dragged up and down the mountains. The other pack contained our clothes, toiletries and some snacks. I don’t think we’ll have to tell you carrying this amount of camera gear is no fun. It’s somewhat okay the first day, but your back and shoulders are getting more and more sensitive. After 21 kilometers (~13 miles) on day three my forearms were cramped from holding the heavy camera in my hands all day. Time to downgrade!

All the heavy gear before switching to lighter mobile photo gear

Luckily, you can find yourself a decent system camera these days weighing only a fraction of what we lugged around back then. Making better quality images, too. But aside from that, technology has now brought us an even more compact camera that never leaves our sides. And the quality of the images never ceases to amaze us. Our iPhones!

We’ll be the first to admit we like to be lazy every once in a while, which means we don’t always take our big camera with us. And while traveling, we often leave it at our hotel because bringing a dedicated camera is too big a risk. And of course when we don’t have our camera’s we run into the most amazing landscapes, sunsets and situations. Luckily, our iPhones are always with us and with ProCamera we get this great selection of pro camera features.

Picture this: the two daypacks we carried with us back then are the only bags we now bring on a round-the-world trip! Yes, we travel hand luggage only, for months on end. And yes, aside from our clothes, toiletries and other travel necessities we also bring a camera, lenses, a GoPro and a drone. Not bad huh?

During our travels, we never stay at a single location for an extended amount of time (unless we’re enjoying ourselves a bit too much). So we need to be able to quickly pack and unpack, but also easily grab what we need for a long hike or mountain bike ride. We had to downgrade a fair amount over the past years to enable ourselves to travel like this, and we kind of made bringing just what we need a goal of itself (though the contents seem to magically grow every time we need to repack).

Another thing we embrace nowadays is cloud services. Where we’d have to find a dubious internet cafe back in the days, have the contents of our memory card burned on a CD, send it home and wait for a confirmation that everything was received in good order we now use cloud services for backups. This workflow sure can be a bit of a hassle, too. Many places around the world still don’t provide fast WiFi or mobile network, and we really don’t want too lose our memories of that beautiful (way too early) sunrise, that endless walk to the world’s tallest palm trees or that bizarre bike ride to the refuge on top of the mountain.

We always try to sort out our favourite images as soon as possible, and immediately upload them to a could service (aside from iCloud backups on our iPhones). You’ll likely find us locked in our hotel room at the end of the day, editing images to prepare them for our dutch travel blog and social media, and uploading our favourites to make sure we always have a copy. As we were once taught: if you don’t have at least two versions of an image, you might as well have none at all. 

Now that global travel has been off the table for a while, we started working on another project we had our minds set on for quite a while: our very own self-built camper van. Since we’ve been home a lot we now have the time to build it completely to our taste.

Camper Van on the road

We’ve been traveling around in camper vans in the past, and for us there’s nothing like waking up in the most beautiful places you wouldn’t normally go to, have breakfast and a great cup of coffee together and slowly start our day. What beats designing and building the tiny home that brings us this joy all ourselves?

We’re both sportive and adventurous so our van has to comply with quite some demands: It has to be comfortable, fit our clothes and personal belongings, photo equipment and two mountain bikes. All inside the van, as we hate to come back from a long hike hoping everything we hung on the van’s back it still there.

Current events also turned out to create the perfect time to browse through our old photos. Let us tell you: this brings great travel inspiration for the future!

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Diving with ProCamera – Part II https://procamera-app.com/en/blog/diving-with-procamera-part-ii/ https://procamera-app.com/en/blog/diving-with-procamera-part-ii/#comments Mon, 20 Aug 2018 10:52:52 +0000 https://www.procamera-app.com/?p=52006 Wouldn't it be great to take photos with your iPhone underwater? Grab your snorkel and come with us! We put an iPhone loaded with ProCamera inside an underwater housing and jumped into the Mediterranean Sea.

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The underwater world is a magical place. Wouldn’t it be great to take photos with your iPhone in this beautiful landscape?

Last week we tried just that: We put an iPhone loaded with ProCamera inside an underwater housing and jumped into the Mediterranean Sea. Grab your snorkel and come with us!

All photos in this article were taken with an iPhone 7 Plus.

INFO: This is a follow-up post to our previous subsea iPhoneography article.

Besides the fancy water shoes, you will notice that the further away an object is, the more the warm tones get lost under water (see legs).

What equipment did you use this time?

We used an iPhone 7 Plus inside a Watershot Pro housing. The main benefits of a professional housing are the robustness and the underwater control. This means you don’t have to worry about penetrating water (depth rating of 195 feet/60 meters) and physical buttons allow you to reliably trigger the shutter button subsea.

An iPhone 7 Plus inside the Watershot Pro Kit.

How did you set up ProCamera before the dive?

The physical buttons allow you to control the most important features once the iPhone is inside the housing (shutter button, exposure correction, 1x – 2x zoom switch). Yet, some settings need to be entered before storing the iPhone in there:

Continuous Autofocus: Tap in the middle of ProCamera’s Capture Screen to activate. The switch to Continuous Autofocus is indicated by the larger blue reticle and the word “AUTO”. This way, the camera will continuously adjust focus and you are not limited to one fixed focusing distance. This setting is important, since you won’t be able to manually focus once the iPhone is inside the housing.

Aspect Ratio 4:3: Precise framing isn’t that easy under water due to shy and speedy objects, water movement and limited view. Therefore, we went for the maximum resolution (4:3) and cropped our favorite images afterwards.

Rapid Fire: For fish and other agile sea dwellers, our Rapid Fire settings can be quite useful. By holding down the shutter button, the camera will take a burst of photos. This will give you a variety of captures to choose from after the dive.

High image quality: The intrinsic properties of water make it harder to capture crisp and contrasty images. Most of the time, underwater photos need at least basic editing. To get as much image data as possible, set the JPEG/HEIF quality level to 100% or directly switch to TIFF file format.

Do you have more tips for people, who haven’t tried it before?

The most important tipps are already listed in the previous post. But these are additional things to consider:

– The housing is extremely solid and durable. Still, washing the case after a dive in the ocean is recommended, so that the clear front and the glass lens are freed from the layer of salt.

– When snorkeling, applying sun cream (to your back) is advisable. Just wait a few minutes before you touch the housing afterwards. Otherwise, you will cause unpleasant finger prints that obstruct your view at the iPhone display or you will put smudge marks on the lens.

– Try not to directly expose the housing to sand or tiny stones at the beach. The sand grains might scratch the acrylic front of the housing, which could affect the display visibility and the quality of selfies negatively. We put the kit inside a pouch in our beach bag before and after each dive and had no problems.

Can you spot the crab? Not all sea dwellers are flashy and bright, many are perfectly adapted to their habitat.

– Attach the little hand strap to the housing. You don’t want to loose your precious kit and all those wonderful water photos in crushing waves.

– If possible, snorkel or dive more than once. Within a day or even a few hours, an underwater scene can drastically change. You may encounter different wildlife and you may get an even clearer view. A spot that wasn’t very interesting on an afternoon, was fascinating just the next morning.

And last but not least: please take care down there!

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Lakes, Clouds and Trees – A Video Slideshow by Mark Allen https://procamera-app.com/en/blog/lakes-clouds-trees-video-slideshow-mark-allen/ Thu, 31 Aug 2017 10:31:10 +0000 https://www.procamera-app.com/?p=50759/ Go on a virtual mini-vacation to the English countryside: ProCamera user Mark Allen went on a photography trip to the Lake District and came back with a beautiful series of calming landscape photos.

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Go on a virtual mini-vacation to the English countryside

ProCamera user Mark Allen went on a photo trip to the Lake District (UK) and came back with a beautiful series of calming landscape photos.The slideshow is best enjoyed in full screen mode and 1080p HD quality (gear icon).

Hello Mark, thank you for taking the time. Please tell our users a little bit about yourself and your photography.
I’m from Belfast, Northern Ireland, retired with plenty of time on my hands. My father was a photographer, so I always remember having a camera. Some of what my father tried to teach me when I was young, must have stuck because I have always found it easy. I’m not a professional photographer and do not do any commercial work. Every year a friend and I go a trip, solely to take photos. this year we went to the Lake District in England. I brought all my camera gear, cameras, lenses, filters, tripod, etc. We often leave our gear in the car and wander around to carefully select the best point of view. Once I found ‘my spot’, I took a record of the view using the ProCamera app on my iPhone 6 S Plus.
All the photos we have seen in the video slideshow were taken with ProCamera. What was the decisive factor for you to use the photos taken with the iPhone for your slideshow after you came back?
I was astonished at the clarity and vibrancy of the iPhone photos. I was even more surprised at how well the images taken with a clip- on ultra wide angle lens turned out.  Folks from my camera club are used to me going on trips and then producing a slideshow.  I thought it would provide them with some entertainment to watch the show and only realise, right at the end, that the photos were taken with an iPhone!
How did your fellow camera club members react when they found out none of these photos were taken with your “big camera”?
I think some of them thought it was a trick. I had to produce the EXIF data to convince a few of them. People are used to camera phones producing rubbish images. The reality is, that if I had not been using ProCamera’s HDR 5 shot mode, many of my photos would have had lost details, simply because of the high dynamic range of the vistas. Really bright skies, dark deep shadows are a recipe for burnt out skies and black holes. ProCamera allows users with knowledge of photography to get the very best from its teeny tiny sensor inside. Of course knowing what you are doing also helps!
You almost exclusively used ProCamera’s HDR camera mode during your trip. Where do you see the main advantages of the high dynamic range images?
I liked the idea of the app taking five images. What it means is the app takes a very dark, dark, normal, bright and very bright photo, five photos in all, and all in just a moment. To get the very best from it a mini tripod would be best, but I just braced my elbows to my side and kept it as steady as I could. The app automatically blends all five images together replacing details that would ordinarily be lost.  ProCamera’s HDR offers a number of final options. I find the ‘vivid’ and ‘dramatic’ settings too vivid and dramatic for my tastes, so I always use the natural setting. I edited and adjusted each image, on my iPhone, with Snapseed. I mainly corrected wonky horizons, cropped to get a more pleasing composition. I then made the slideshow with ‘Pictures ToExe’ which allowed me to sync the music with the photos.
We love to hear real-life stories like that since we also believe that great images are the best proof for the capabilities of the iPhone camera. So you plan on shooting regularly with your iPhone and ProCamera?
Absolutely, the best camera in the world is the one you have with you, and my iPhone is nearly always with me. I only use ProCamera to take photos, all the other ones I have collected and used over the years have been binned. Clearly, the fact that I always have my phone with me when I leave the house means that there are no longer any missed photo opportunities. I am confident that my iPhone 6S Plus and ProCamera will do a great job.
We see people using the features of ProCamera in so many different ways (which is great!) – what are your favourite three functionalities?
Goodness, there is just so much. I think the app appeals to folk who know their photography. They can then benefit from all the advanced settings. My favourites are the HDR and the Low Light Plus. My advice is to RTFM – read the flipping manual. I have the manual as a pdf on my phone, just in case I get stuck.
Any plans for your next photographic series or journey?
Yes, I am just back from a trip to the European Alps. Again, I had my Fuji with me but I took over 300 photos with my iPhone. I think I got a bit carried away, but I knew the results would be good.
I guess this could result in another excellent photo slideshow!
My next project is a slide show of photos I took in Poland, Auschwitz and Schindler’s Factory. It will be dark and perhaps rather unsettling.
By no means an easy topic, don’t forget to send us a link once the slideshow is online. Thank you, Mark, and keep up the great work. 

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Diving with ProCamera https://procamera-app.com/en/blog/diving-with-procamera/ https://procamera-app.com/en/blog/diving-with-procamera/#comments Thu, 22 Oct 2015 14:35:45 +0000 https://www.procamera-app.com/en/?p=40316 Let's go for a dive with an iPhone, ProCamera, and an underwater housing.

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Last June, we interviewed Lars Wibranski who used only his iPhone and ProCamera to document his trip to Thailand. When he mentioned that he used a waterproof housing in conjunction with ProCamera to capture vivid underwater scenes, it really sparked our curiosity. Now, he has returned to share the photographs and tips from this dive. 

First, let’s have a look at the special underwater housing. Called “Watershot® PRO”, it is purpose-built for the demands of underwater photography and is able to “withstand rocks, reefs, salt, and extreme pressure.” It comes equipped with two lenses (flat and wide-angle). The set cost roughly $200 at the time of purchase. The fact that this particular case is a perfect fit for the iPhone 5/5s means that it is not compatible with other generations of the iPhone, or with other smartphone brands. Nonetheless, it opens up new areas of exploration for underwater iPhone photography. For now, let’s go for a dive with Lars and see what he has captured.


All photos were taken with an iPhone 5 S and ProCamera.

The black dots on the clear front of the housing are the physical buttons, that assure reliable operation subsea.

Underwater images usually aren’t the first thing that comes to mind when thinking about iPhone photography. One might think that special equipment that costs thousands of dollars would be necessary. Yet, the photographs below are evidence of just how far mobile photography can be pushed. Lars has shared with us some great tips in case you too wish to give underwater photography a try:

  • When (first) using the case, it’s best to make a quick security check. Put in a handkerchief, close the housing, and submerge it into water. The handkerchief must not become wet while in the case. Lars never had any problems with penetrating water.

You will achieve the best photo results…

  • in clear water. If you can’t see a lot underwater with your own eyes, the camera is likely to not see a lot, too. Thailand, where Lars took these photos, has incredibly clear water.
  • near water surface, since it’s a lot brighter there. However, some of these photos are taken at around 40-50 feet (12-15m) below the surface. So don’t let that limit you.
  • close to your subject. The closer you can get, the crisper your photos will be.

Blue-Green Cast

  • The deeper you dive, the bluer and greener your environment will appear. This is bound up with the intrinsic property of water and the fact, that white light is selectively absorbed and scattered when traveling trough water.
  • You will gradually loose red and orange tones in your photos when going deeper. You can see that effect in the following photo of the clown fish (we all know that Nemo is orange…).
  • With a White Balance adjustment, you can compensate by adding in warm tones. Strictly speaking, the White Balance is only correct for a certain depth. Since you can’t unpack your iPhone underwater and can’t use the touchscreen in conjunction with the housing, it’s best to try find an approximate value beforehand. Alternative ways of bringing back the reds are either additional lighting (dive lights) or screw on color filter (red filter for blue water, magenta filter for green water environments).
  • Since you won’t be able to use the touchscreen, when your iPhone is packed into the housing, make sure you don’t lock focus beforehand. When your focus is locked in ProCamera, you will see a little lock symbol inside the focus reticle. Using the big focus reticle in the center of the viewfinder assures continuous focusing, which will give you the necessary flexibility underwater.
  • It’s quite possible that you will see amazing things underwater. It’s a strange and stunning world down there – but it can also be a dangerous one: Mind the sea current, even when having beautiful motifs in front of your camera.
    When exploring reefs and shorelines with sharp edged rocks, watch out for breaking waves.
  • The housing also comes with a lanyard, which helps avoid loosing your phone underwater.
  • However, the underwater world is not just beautiful and dangerous, it’s also fragile. So please take nothing but pictures from this important ecosystem.
  • Remember that low battery alert at 20%? It’s a useful information, but it can abruptly stop your underwater photography. Only by tapping the “Dismiss” button in the center of the screen, you can continue using your phone. Unfortunately, there is no way to tap that button when your phone is inside the housing (no physical button in the center of the screen) and there is no option to disable that info pop up in iOS.
    So, charge your iPhone to 100% beforehand, that will give you more than enough for an extended dive.

The wide screw on lens gets softer in the corners, so make sure you place your main subject more around the center. In this area the optical quality of the lenses is really good – Lars even used the housing in conjunction with the screw on lens for onshore photos, because of the wide field of view.

Maybe we could encourage some of you to give underwater (iPhone) photography a try. With ProCamera, some kind of waterproof cover/housing, and the tips from this post, you are ready to go. There also is a new version of the housing, that is custom made for the dimensions of the iPhone 6.

We at ProCamera love to see our app in action. So, in case you are doing something special, write us an eMail. We are very curious!

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48 Hours in Neukölln with PROCAMERA https://procamera-app.com/en/blog/48-hours-in-neukolln-with-procamera/ https://procamera-app.com/en/blog/48-hours-in-neukolln-with-procamera/#comments Wed, 12 Aug 2015 08:22:13 +0000 https://www.procamera-app.com/?p=38059 When I left my front door, the sun was shining on a perfect Summer's day. When I stepped out from the Neukölln U-Bahn station 20 minutes later to see an exhibit at Tempelhofer Feld, I noticed that dark, ominous clouds had already formed in the sky above. By the time I made it out to Tempelhofer Feld...

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48 Hours in Neukölln is an annual event celebrating the artistic culture and diversity of Berlin. This year marked the 17th occasion of the festival, and the theme was S.O.S – Art Saves the World. Over 1500 artists from all over the world participated.

As a newcomer to Berlin, I had never before attended the festival and was excited to see what it was all about. I left my apartment armed only with my iPhone and of course my go-to camera app ProCamera to document my experience.

When I left my front door, the sun was shining on a perfect Summer’s day. When I stepped out from the Neukölln U-Bahn station 20 minutes later to see an exhibit at Tempelhofer Feld, I noticed that dark, ominous clouds had already formed in the sky above. By the time I made it out to Tempelhofer Feld on foot, thunder struck and rain began coming down hard. I was soaked within a few minutes, but I managed to find some places to take shelter so that I could continue to document my day.

 

The storm clouds rolling in.

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Stormy days make for great photo opportunities!

Luckily, the exhibit I was going to see happened to be a giant inflatable lifeboat. Very convenient for keeping dry! The exhibit was called LIVEBOAT – CHAPTER 5 and was created by the Berlin art group Plastique Fantastique. The work addresses the plight of immigrants who set sail from their homelands to seek better lives abroad. Inside, there was audio of a man’s voice who describes his harrowing experience leaving Syria and coming to start a new life for himself in Germany.

Inside LIVEBOAT - CHAPTER FIVE

Inside LIVEBOAT – CHAPTER FIVE


Taking shelter inside the exhibit!

Taking shelter inside the exhibit!

ProCamera performed incredibly well in these spontaneous situations. Because this powerful tool is located inside my iPhone, I have no heavy equipment to heft around and yet I still achieve professional results which I am proud to share. Each photo you see below was made using the HDR function. Because of the quick succession of photographs ProCamera and vividHDR automatically takes, I don’t have to worry too much about ghosting (this is when you see a haze or duplicate objects in a photo when something moves suddenly). I purposefully captured moving people in this project because I wanted to see how well ProCamera HDR could perform in tricky situations (both in terms of movement and in challenging lighting scenarios).

 

ProCamera HDR does a wonderful job at capturing texture. I like the contrast of the plastic sheet with raindrops against the Berlin landscape.

ProCamera HDR does a wonderful job at capturing texture. I like the contrast of the plastic sheet with raindrops against the Berlin landscape.

 

Moments after the rainstorm.

Moments after the rainstorm.

I used ProCamera’s robust editing tools in post-processing. I adjusted a few photos using the Color Temperature and Saturation tools. But I only made minor adjustments, as I wanted to keep the photos looking true-to-life as I saw the scene. I also sharpened the photos in order to bring out more detail in the textures. I hope you enjoy the rest of the photos from my 48 Hours in Neukölln. In spite of the rain, or perhaps because of it, I think I managed to get some interesting shots.

Since this article was made, ProCamera has released their newest version complete with new artistic effects and an updated Curve tool, among many other features. I am excited to test these out on a new blog post in the future!

 

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Again, the HDR capability of ProCamera enables me to capture lots of texture and little details even in less-than-idea lighting situations

 

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An example of how ProCamera was able to capture the detail in the architecture and in the clouds above using HDR.

 

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The HDR function is great for textural details.

 

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Just follow the S.O.S signs!

 

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Even in very low light situations ProCamera performs very well.

 

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Freedom of Panorama in Europe https://procamera-app.com/en/blog/freedom-of-panorama-in-europe-2015/ Tue, 04 Aug 2015 09:48:02 +0000 https://www.procamera-app.com/?p=38458 Now in the peak holiday season, it is important to know how you may use your travel photos privately and commercially. Political debates in the European Parliament about the "Freedom of Panorama" created a public discourse in the past weeks. In this post we summarize the events and legal effect from a mobile photographer's point of view.

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PC8-onLoc_London_FreedomOfPanorama_V2

In the past weeks, we have been closely following the political debate in the European Parliament on the copyright law reform. Part of the debate was the so called “Freedom of Panorama”, which is the legal basis for street, documentary, and travel photography in the EU. As Europe, with its unique culture, architecture, and nature, is an attractive travel destination for many people, it’s important to know how and when you may use your travel photos privately and commercially. Even though we can’t constitute legal advice in this blogpost, we want to raise awareness for the photographic freedom that is at stake in this debate.

What does “Freedom of Panorama” actually mean?

It allows photographers to capture buildings or permanent art installations from public ground. These photographs may be used privately as well as commercially.
Since the photographer doesn’t need a specific permission from the author/rights holder to document these public spaces, the freedom of panorama is an exception to general copyright law.

May I always refer to freedom of panorama when shooting in the streets?

This is where things get a little more complicated: Not all (European) countries grant that kind of photographic freedom – and even among those who do, there are differences in scope and form. The important factor is “public space”, because private properties are not covered by this law (e.g. a castle surrounded by a garden that is owned and managed privately). Furthermore, other legal aspects, like the right of personality of local residents, still need to be considered.

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What’s the current copyright law reform all about?
As mentioned before, freedom of panorama is an exception to general copyright law. The initial evaluation included a suggestion to bring the freedom of panorama to all countries of the EU. The proposal was not retained in the following draft – in fact it was turned around: This means it would take the freedom of panorama away from all EU countries, instead of bringing it to those few that presently don’t grant this right.

The following graphic overview shows the current scope of freedom of panorama in Europe.

  Freedom_of_Panorama_in_Europe_NC.svg

> Click to enlarge the map <
Map: Made by King of Hearts based on Quibik’s work [CC BY-SA 3.0], via Wikimedia Commons

Map Legend: green=Freedom of Panorama light green=FoP, for buildings only yellow=FoP, for non-commercial use only red=No FoP


Wouldn’t a restriction of Freedom of Panorama only be a problem for companies?

Differentiating between commercial and non-commercial use of a photo isn’t as simple as it used to be:
– A company using a photo of a public building in one of their advertisements is clearly acting commercially.
– A private individual presenting holiday photos to family and friends is clearly acting non-commercially.
– With many modern applications, these borders become blurred, for example when private photos are related to some kind of income (photo + banner ad on your own website) or by uploading your photo to a social network like Facebook, whose terms of service state that those images may be used commercially by the platform. This means you would be the one responsible for clearing all the necessary rights (tracking down the rights holders, concluding license agreements, …). The last example clearly shows how quickly and how many people would be affected by restrictions of freedom of panorama.

What was the outcome of the recent plenary vote to reform copyright law in the EU?

Fortunately, the Parliament finally voted against the proposal to restrict freedom of panorama across the board. Thereby the countries marked in green will keep this important copyright exception – photographers will continue to be able to document public space and exploit those images commercially.

Use this freedom, explore Europe and enjoy travel photography with ProCamera!

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Discovering Thailand with ProCamera https://procamera-app.com/en/blog/discover-thailand-procamera-interview-1/ https://procamera-app.com/en/blog/discover-thailand-procamera-interview-1/#comments Fri, 17 Jul 2015 14:00:37 +0000 https://www.procamera-app.com/?p=38327 This week’s part of our #ProCameraTravel campaign is an interview with Lars Wibranski, who solely used his iPhone and ProCamera to document his latest trip to Thailand. Ready for a dose of wanderlust?

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This week’s part of our #ProCameraTravel campaign is an interview with Lars Wibranski, who solely used his iPhone and ProCamera 8 to document his latest trip to Thailand.

Hello Lars, please tell us a little bit about yourself

Sure. I am based in Mannheim, Germany, and this is where I live and work as a freelance communications designer. I am 45 years of age, like to stay on the move, enjoy contact with people, traveling and cooking.
Creative work plays an essential role in my life, which also reflects in my job. Be it computer, camera or craft work –  these are things I am deeply interested in.

You just came back from a trip throughout Thailand. Why did you choose Thailand? What is it about that country that fascinates you?

As long as I can remember, I was fascinated by Asia and Southeast Asia. Thailand is a country with a very diverse culture, landscape and population. Traveling there is uncomplicated, and almost everything is easily accessible.
The Northwest is mountainous (Himalayan offshoots) and relatively cold,  compared to the rest of the country. Various indigenous groups are living in forested regions with a characteristic dry jungle. Because of extensive cave systems, there is a lot to discover in this area. For many tourists, the onward journey following the Golden Triangle to Laos, is a favored travel route.
Central Thailand offers various ancient ruin cities, and national parks.
Bangkok is by far Thailand’s biggest metropolis (10-12 million inhabitants), which more and more attracts people even from rural regions. It’s a city that never sleeps and that is always good for a surprise.
The South of the country is characterized by beautiful beaches and islands. Although it’s a bit touristy and overflown at times, you should still be able to discover a wonderful seashore or an island.
Another aspect of Thailand that I really like, is the people: They are very polite, courteous, and always willing to help. By now some Thais have become good friends of mine and I have visited their families.

What places/regions can you recommend?

I’ve been to Thailand three times now, and I can recommend the Northeast of the country to anybody who is interested in nature and likes to travel away from mass tourism. Beautiful landscapes, caves, waterfalls… My favorite spot in the North is the Guesthouse Cave Lodge, which lies in the midst of nature. The Northwest in general is not as touristy, either. Places like Nong Khai, idyllically situated by the Mekong, still are fairly unknown.
Another insider’s tip is the island Koh Jum, which sticks out with particularly splendid beaches.
Who really wants to find the heart of Thai culture should travel off the beaten tracks. If you are open to it, this is where it is easy to get in contact with the locals and their culture. Knowing at least some Thai words is useful in those situations, as English isn’t understood everywhere in the rural regions.

Why was the iPhone your camera of choice on that trip?

The iPhone is a very good travel companion. I really enjoyed having such a handy, simple, and multifunctional gadget. The decisive factor was the combination of the iPhone’s hardware (good lens) and the professional features of ProCamera, on the software side of things. That sealed the deal for me. Looking back at the journey and the photos, I have to say that the HDR feature is a favorite of mine. Another benefit of using a smartphone, is the capability to instantly send photos back home to family and friends. In Thailand, it’s very easy and inexpensive to buy prepaid sim cards (available in every SevenEleven)…
On top of that, nearly every Café and Guesthouse offers free W-Lan. This was a good opportunity for me to search for local travel information and book a room for the next night. Downloading maps for offline usage (e.g. citymaps2go) put me in a position to roam through new places and never get lost. When I was not sure about the way back, I could always have a look at my iPhone. That provided me with freedom and security – and it was way less conspicuous than big folding maps.
What really surprised me, was the fact, that I even started reading books on my smartphone. It’s super convenient to have everything on-hand when traveling.

Which generation iPhone did you use at that time?

An iPhone 5s.

What challenges did you face using an iPhone as your only camera?

A big challenge for me was the relatively short battery runtime. I charged the iPhone no less than one or two times a day. Charging my phone, when taking a break in a Café, became a daily routine for me. To be on the safe side, I highly recommend using a power bank to gain additional battery life.

When shooting a lot, the memory space of your phone may become an issue. I resolved it by uploading entire sets of photos to my Dropbox from time to time.
Having no optical zoom was a pity sometimes, but it also was a welcome challenge. Over time I really got accustomed to the lens resp. the focal length.
From past experience, I was used to just leave my smartphone in the pocket at nighttime. With the Night Camera mode in ProCamera, that is something I’m about to change. In the future I will give it a try from time to time, to see how those nightly captures turn out. The „blue hour“, the twilight period after the sun has set, generally is a great time to shoot.

How did you first get in contact with mobile photography?

I have to admit that it was ProCamera that brought me to mobile photography. I was really surprised when I saw the first photos taken with the app, especially the HDR captures. With my photographs, I want to collect interesting motifs, strange scenes, compositions and structures – rather than the typical holiday moments. It’s the ordinary, the everyday things, in foreign cultures, that interests me the most.

Now that you are back home in Germany, what do you like to photograph here?

When photographing I am not committed to a specific theme or subject. But most of the time I find myself shooting architecture, landscape and street. I like to find abstract compositions, patterns and structures.

As you journey, how did people react, when you were shooting with your smartphone?

It’s unobtrusive, and especially the iPhone is very popular in Thailand. Therefore you don’t attract a lot of attention.
Outside the urban areas, people are really open to tourists and oftentimes don’t mind a quick smartphone photo, when you ask them.

Did you utilize any other apps oder gadgets on your journey?

I solely used ProCamera on this trip. Before the trip, I had a look at some other pieces of software, but I always came back to ProCamera. I enjoy the user-friendliness, the ease of use, the intuitive handling and the various features. It’s great being able to quickly and easily shoot a scene, but still know, that you are able to set up things manually, when needed.
For underwater photos, I used a waterproof housing.

What features of ProCamera were the most important ones for you on this trip?

In a lot of situations, I switched to vividHDR in ProCamera with which I was able to achieve very good results. Particularly the rendition of shiny gold tones, that can be found on many temples in Thailand, was spectacular.
Being able to separately set focus and exposure is something I don’t want to miss.
When using my iPhone underwater, in that special housing, the white balance and tint adjustment was a crucial factor.

For me, like many others, underwater photography is something totally new. You have to tell us more about it soon! Thanks for the interview.

Sure, I would be happy to do so. My pleasure.

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#ProCameraTravel https://procamera-app.com/en/blog/procameratravel2015/ https://procamera-app.com/en/blog/procameratravel2015/#respond Wed, 17 Jun 2015 09:00:58 +0000 https://www.procamera-app.com/?p=37934 Get ready for the sunny season: In the next couple of weeks, we will provide you with inspirational photographs, travel stories and trip tips.

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Before going on vacation, most people face the same dilemma of what to pack. A lot of us end up with bulky pieces of luggage…
At least for your photographic gear, you are able to pack light for some time now. Combined with the controls of ProCamera 8, the iPhone, which is anyway in your pocket, is a wonderful travel companion to capture memorable travel moments.
The best thing about it, is the possibility to not just photograph, but edit and share those images on the go. The wide range of geek-worthy features and manual controls in ProCamera, put yourself in a position to even shoot in otherwise difficult situations: Scenes with high contrast, backlight, night scenes,…

Capture the moment!

#ProCameraTravel

We have been amazed by the beautiful photographs our users took with ProCamera in the past and we think it will be just like that with this year’s travel photographs! Share the beauty of the moment with us on Instagram, using #ProCameraTravel. We would love to feature some of our favorites on our growing feed https://instagram.com/procamera_app

On our blog, we will provide you with interesting takes on travel photography in the next couple of weeks. All the information will be collected on the dedicated travel microsite; so have an eye on: ProCamera Projects: Travel Month 2015

If you want to tell one of your own travel stories and share photos with us, feel free to contact us:
travel@procamera-app.com

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